singemonkey
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« Reply #15 on: December 02, 2009, 02:52:50 pm » |
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I have a genuine sense of dread when I think that arthritus might one day foil my dreams of playing songs to my grandchildren.
Don't worry man. By then you'll have electric, techno-fingers that'll do the job. You'll be sitting on your hover-chairs around the roaring atomic heater, satisfyingly full from your beef and 2 veg pill, and they'll be marvelling that your guitar is made from real wood, from back when there were still trees. 
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chris77
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« Reply #16 on: December 02, 2009, 03:07:18 pm » |
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@ Singemonkey. He-he-he, Brilliant! Will be sure to keep them seperate from the little blue ones...
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eschew obfuscation.
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X-rated Bob
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« Reply #17 on: December 02, 2009, 03:16:11 pm » |
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Sure it's possible to grow or at least widen one's horizons. Take a look at some of the people who have had long careers and see how they kept things vital and stopped themselves from recycling the same old same old by having their ears and minds open so they could keep on bringing fresh elements into what they do. David Bowie's a good example. There are, as previously noted, constraints that each of us run into because we hit the ceiling of whatever talent we have, but the constraints that you can beat are those to do with what you expose your ears and minds to and what you allow to enter into your own personal melting pot.
Another thing to try is to not just confine your listening and experimenting to the guitar. Richard Thompson says that most of his musical ideas, certainly for soloing, come from instruments other than the guitar these days. I got to see him in Cumbria last year, and I recall one solo that he took that was fab but almost not a "guitar solo" because so much of it was bagpipe licks. He set up a drone part (no loop station!) and then layered all these piope licks over the top of that. The only thing that made it a "guitar solo" was that he played it on guitar.
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Be glad, for the song has no ending.
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Arjun Menon
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« Reply #18 on: December 02, 2009, 03:50:57 pm » |
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Personally, i feel that the only limits are the ones that we place on ourselves (that's an Eric Johnson quote BTW). Having said that, i'm yet to find a muso who thinks that musical growth would be a walk in the park. A perfect example is discussed in the Scott Henderson interview that Donovan posted on the forum.
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Ibanez RG7620; Ibanez RG320 FM (Modded : Air Norton & Tone Zone)Boss GT10 Roland Cube 15
Good dealings with : Matta, Aubs...to be continued
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Wizard
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« Reply #19 on: December 02, 2009, 05:18:00 pm » |
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A music teacher used to shout at us in a wild, animated way:
"When you think you're good - you're not !!"
i.e. As soon as you think you've made it, you've just close your mind to learning IMHO ... if you're doing it right, then the more you learn the further the target gets away from you.
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Cort M200, part-built strat, Guild Classical, Laney Cub 10, G-Dec junior
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vic
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« Reply #20 on: December 02, 2009, 05:29:45 pm » |
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Thanks guys for all the input....I do not only play guitar, I spend lots of time trying new arrangements on the Roland keys, record these on occasion, I had some formal piano training way back (like most of us I guess), can/could read music....and so on. But for the last 3 weeks I have not touched any instrument. Last gig was on 31 Oct when we had a reunion of the Day Trippers ....did a few songs from the mid-20th century  Karel Mars was the sound man. Thanks Karel for a great night  I guess it will be better tomorrow.!
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Vic "ALL WE NEED IS LOVE" 1960's Vox AC30's , 1960's Vox AC10, Gibson Les Pauls ('57,'58 and '59 Customshop), '87 Gibson les Paul pre-historic '57 RI, Fender Strat USA, '62 AV Fender Strat, Yamaha acoustic, Juno Jazz Archtop, Roland keys, HH PA system, Shure mics
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PeteM
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« Reply #21 on: December 02, 2009, 05:37:28 pm » |
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But for the last 3 weeks I have not touched any instrument.
Nothing wrong with that IMHO. Sometimes you've just got to give it a rest. Go into the game reserve and watch birds for a while - that's me.
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Guitar Teacher, muso, corporate video writer/producer/director, voice-over artist Guitars: Gibson ES330TD, Cort CEC-5 nylon acoustic, Yamaha CG170-SA Classical, Harmony Stella 12 string H912, Yamaha bass SB-1C, Aria mandolin, hand made cuatro. Amps: Roland Cube 60, Meazzi Manager Recording hardware/software: Audigy XFier, Sony Vegas Pro 8, Audition
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vic
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« Reply #22 on: December 02, 2009, 05:42:44 pm » |
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But for the last 3 weeks I have not touched any instrument.
Go into the game reserve and watch birds for a while - that's me. Pete...the Strand,18 kms away, is also a good place for bird watching 
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Vic "ALL WE NEED IS LOVE" 1960's Vox AC30's , 1960's Vox AC10, Gibson Les Pauls ('57,'58 and '59 Customshop), '87 Gibson les Paul pre-historic '57 RI, Fender Strat USA, '62 AV Fender Strat, Yamaha acoustic, Juno Jazz Archtop, Roland keys, HH PA system, Shure mics
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X-rated Bob
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« Reply #23 on: December 02, 2009, 05:51:30 pm » |
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Go into the game reserve and watch birds for a while - that's me. One of life's more pleasant activities. You don't even have to go to a game reserve. The bigger municipal parks in Johannesburg, like Delta Park, Emmarentia Dam, Greymont Park can offer a surprising amount of bird life. In Jo'burg you only have to go down to Klipriviersberg (right next door to Mondeor) to get a very good bird watching experience.
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Be glad, for the song has no ending.
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PeteM
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« Reply #24 on: December 02, 2009, 05:57:03 pm » |
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Go into the game reserve and watch birds for a while - that's me. One of life's more pleasant activities. You don't even have to go to a game reserve. The bigger municipal parks in Johannesburg, like Delta Park, Emmarentia Dam, Greymont Park can offer a surprising amount of bird life. In Jo'burg you only have to go down to Klipriviersberg (right next door to Mondeor) to get a very good bird watching experience. Yep - I've done all of those places - even your own garden is cool - you'd be surprised how many different birds lurk around in suburban gardens.
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Guitar Teacher, muso, corporate video writer/producer/director, voice-over artist Guitars: Gibson ES330TD, Cort CEC-5 nylon acoustic, Yamaha CG170-SA Classical, Harmony Stella 12 string H912, Yamaha bass SB-1C, Aria mandolin, hand made cuatro. Amps: Roland Cube 60, Meazzi Manager Recording hardware/software: Audigy XFier, Sony Vegas Pro 8, Audition
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